Anders Martin Bruun

I see myself as an independent businessman/an artist/a designer/a goldsmith and an entertainer, that loves to become absorbed in the small details, in whatever I'm working on at the moment. I express myself by being as precise and pure as possible, and I find it very challenging and exciting to work with trollbeads. In designing a trollbead, I try to combine humour and details with a certain amount of cuteness. And it's important for me to integrate the hole into the design of a bead. I get my inspiration from the diversity of the world and from the quirkiness of everyday life.

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Asger Max Andersen

Graduated as jeweler in 1965 from Georg Jensen Copenhagen. Asger has several years of teaching experience and has worked abroad before he started his own company in 1975. He is located in Roskilde, Denmark.

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Christel Kaaber

During my apprenticeship with Svend Nielsen, I was able to follow and participate in the development of the trollbeads. I designed my beads at this time and I focused on simplicity and humor.

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Gitte Bjørn

Gitte Bjorn is an educated goldsmith from 1993. Already from her graduation project it was obvious that she wanted to work sculpturally. She has exhibited in Denmark as well as internationally and describe her work this way:

With my work I strive to give room and physical reality to the part of my imagination, that I allow myself - still - to live in a parallel world populated with mythological beings and animals in a gothic time. In this way I keep " the bridge down" and treat myself with a sure expectation of joy and excitement that lays ahead of me.

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Isabel Aagaard

When you are born into a family as creative as mine, it is a natural choice for me to be a part of the creative aspect of Trollbeads. My first Trollbead is inspired by the Japanese art of folding paper, called Origami. I have always been fascinated by old traditions and geometry.

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Jens Nielsen

I have been on the team developing the Trollbead concept from the first day. It is necessary to be familiar with and to understand how to craft the beads but at the same time understand how to use modern techniques. In this way, we can offer unique jewelry to the market and at reasonable prices. For me, it is an exciting challenge to combine the creative spirit with modern production methods.

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Jytte kløve

I am standing at the helm of a ship sailing into the future. My cargo is securely stowed in the hold below me. The view from the bridge is wonderful - no two outlooks on the real world are alike. Each day brings a new sunrise, new colors, because each morning adds yet another day to life and anything can happen.

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Kasia Gasparski

Gasparski trained as a goldsmith under Jytte Klove from 1990 -1994. Since 1996 she has had her own workshop and gallery, "Guldkompagniet," centrally located in Copenhagen. Her style is graphic, with simple, symbolic effects. In 1996 Gasparski received a three-year grant from the Danish Arts Foundation and her work may be seen at exhibitions both in Denmark and abroad.

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Lars Glad

Lars Glad finished his education as jeweler in 1993. He finds his inspiration in the working process developing form into jewelry and again into new jewelry. He favors the simple en functional. Over the years he has received several recognitions within the trade. Today he works from his workshop in Kompagnistrode in Copenhagen.
This Trollbead is inspired from the simple form of a bicone, a trademark from the Designer of this bead.

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Lise Aagaard

The inspiration for my beads often comes from my world travels. They often mirror a detail from another culture. I have always loved all forms of beads, their history and the details surrounding the production. Today I work with development and production of glass beads. The glass and the silver compliment each other so beautifully

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Maria Nielsen

Maria Nielsen has managed Barbara Maria's Goldsmith in the heart of the old Dragor, Denmark since 1997. Maria Nielsen is a graduated diamondgrader certified by IDC. This ranks her among Denmark's best professionals for grading diamonds.

In her goldsmith Maria works with design and production of new jewelry. On working with art and design Maria Nielsen says: " It is inspiring for me to translate the emotions which my customers wish to express, into a handmade piece of jewelry. Jewelry should help express and enhance the bearers personality".

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Mette Saabye

With he romantic Fortune Dragon Gitte Bjorn has entered the list of new designers of the trollbeads.

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Michael Weihe

I graduated as a Silversmith in 2000, at Georg Jensen Solvsmedie. By 2001 I had started Weihe Solvsmedie and now have a Studio and shop in Haderslev (DK). When Shaping my designs I tend to use nature as a guide, and for the more cubed designs I use large machines. I pick out the details and perfect them, and recreate them into jewelry.

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Nicolas Aagaard

It's very exiting for me to be to be a part of Trollbeads. Especially since I'm a part of the third generation of Trollbead artists in my family. There is all this history to Trollbeads that I get to be a part of. When I make a Trollbead, I try to give it life. There has to be a reason for the Trollbead to exist. To me Trollbeads are not just jewelry; every single Trollbead has a life, a soul and a history.

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Ragnar R. Jørgensen

Ragnar Jorgensen began his education as jeweler at Grand Valley State University in US in 1990. After returning to Denmark he finished his education in 1995 at Jeweler Ole Lynggaard in Hellerup. Recently he has been working as jeweler as well as designer in US, Norway, Sweden and Denmark. In 1999 he was accepted as freelance designer for Georg Jensen and has lately designed and produced several collections.

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Ricardas Kapucinskas

I adore the nature of glass. Its diverse colours and I just love the finished product. It has been a dream of mine to work in glass for the past five years and just half a year ago I finally had the opportunity to do so. I do my work best when wearing a pair of headphones, listening to loud march music. My inspiration comes from that music and from many different ornaments and art from intriguing cultures. I am happily married to Rasa with whom I have a son named Kristijonas. In my spare time I enjoy playing music with my brass band: Orkestras or watch TV shows about nature and history. I also like fishing and long walks.

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Signe M. Schumann

I have worked as a goldsmith for Lise Aagaard since the summer 2000. Surrounded by trollbeads morning to evening... it had to happen, I designed my first Trollbead. My family name is Schumann, the name of a famous Danish traveling circus, and Soren Solvsmed once said to me, with a name like that you ought to make circus jewelry! Therefore my first Trollbead is a circus clown.

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Søren Sølvsmed

My first trollbeads were designed with little faces and figurines in Sterling Silver and strung on leather. Their intention was to tell a story and facilitate communication between people. It is now more than 30 years since I began. Trolls, stories, mythology and other cultures are often my inspiration.

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Svend Nielsen

I began my education as a goldsmith in 1932 where I worked together with eight other smiths until 1937. Charms for bracelets were something completely new... we even got media coverage! So we produced small buckets, rakes and spades to hang on bracelets- in gold. Anything that would sell. The artistic element wasn't the main focus although it was okay to make something "new" or "different." As a young man, my life was of course influenced by travel and to an even stronger extent, the war, but goldsmith'ing was and continues to be the main focus of my life.

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Tom Blicher

Tom Blicher has designed jewelry in his own workshop since 1992. Inspiration comes from organic forms and movements and the lines found there. Those lines are often reflected in Tom's jewelry. He describes his creative process thusly: I design my jewelry so that they are little sculptures in themselves. In my thoughts I see them as sculptures on solid ground. Their lines and movements must support this magnification in order to appear complete in my eyes.

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Trine Tanja Falsled

It is an exciting process to create a bead. First I decide how to arrange the animals in relation to each other. Then I try to bring out the specific characteristics of the animal with as many details as possible. I have designed most of my beads in my time as an apprentice with Svend Nielsen, and it is great to see that I have now turned out a whole herd. I hope that you will be happy for your bead.

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